I’ll have a Trek on the rocks with a splash of soda!
Missed riding like crazy and it’s so good to be back 💥
© Jaime Permuth, 2024
I’ll have a Trek on the rocks with a splash of soda!
Missed riding like crazy and it’s so good to be back 💥
Photography starts to get interesting when you realize the visible world appears one way but feels another when it’s framed.
It’s coming up on four weeks since I took a tumble on my bike. The splint is gone next week and then I’ll start PT for the thumb and index fingers on my right hand.
Not sure when the doctor will give me a green light to ride again… but I don’t think I can hold out much longer.
Going a bit stir-crazy without my bike, Antigua.
After waiting for days for the rain to clear out, the forecast for last Saturday was bright and sunny. So I suited up and started out on a ride early AM. About an hour in, I wiped out on the still wet pavement and landed in the ER. Thankfully what I thought was a broken right thumb was only dislocated. My body was a bit roughed up in places but otherwise oK.
It’s been a week already. I have a splint on my right arm, which slows me down quite a bit. It’s strange to suddenly be a lefty in my fifties. And I mean, how do you even eat without chopsticks in a city like Seoul?
A week ago, when I got on my bike before sunrise, the Han River was shrouded in the heaviest mist. The landscape was like a dream unfolding in front of me. And as I picked up speed, I felt myself leaving the ground, taking flight over the still sleeping city. And that’s what I’ve missed so much these past seven days: the song in the heart, the intoxication of beauty in the eyes.
I’ll be out of circulation for a month. I’m sure the weeks will pass eventually. In the meantime, I’m gonna walk until I ride!
A week from today we hit the road on the first leg of our Seoul - Busan cross-country trip. I’ve been training in earnest for this since last fall. Start to finish it’s 633 kms; we gave ourselves four days to do it. Grueling, punishing, exhilarating all rolled into one!
It takes a special kind of chutzpah to think I can put my fifty four year old body through this, but my mind says yes and my heart is sworn to it.
Over the last ten months, my greatest teacher has been pain. If you can get to the other side of pain, understand it and overcome it, you always come out tougher and stronger, always a better rider.
Hurt is ignorance; knowledge is healing.
Wether I make it all the way - or not - remains to be seen. But no doubt it will be an unforgettable journey.
For photographers, the personal project is the single, most formidable way we can push our limits and refine our artistic vision. Personal projects come in all shapes and sizes. Sometimes ideas are executed in a matter of weeks or months, while others take years to reach fruition. But while every photographic exploration follows a unique path, there are certain basic questions we can ask ourselves in order to create structure and definition for any personally driven work. Among these: Which ideas and concepts will make for a meaningful artistic journey? How do we determine realistic parameters for our photographic ideas? Where can we secure the resources we will need to see them through? What are proven strategies for developing and managing an ongoing body of work? When is a body of work complete and ready for presentation? What is the right venue for sharing our work publicly?
These are some of the questions we will explore as we focus on your work in my upcoming online class via PhotoPhlo “The Personal Project: From Concept to Final Presentation”.
The class is a weekend intensive and is meant for Intermediate and Advanced students. However, if you are already at work on your first project and need guidance, feel free to register for the class as well.
“Papi, sit with me”
“Right here, Luca?”
“Yes, it’s pretty”
I never imagined sprinting on my bike would land me all the way back to the 15th Century Joseon Dynasty era!
What exactly is a writing workshop for photographers? Why is it even necessary? Shouldn't photographers be communicating their ideas through images?
Writing about our photographs is not equivalent to explaining them away in words. This would be impossible. Writing, however, is an essential part of a photographer's practice, as it helps us to delineate the contours of a project and produce the texts necessary to get our work out into the world. Describing our work and creative process in words not only opens a door for our audience to more deeply understand our photographic intentions, it is a way to reach out to our communities in order to secure the resources we need to realize our creative vision. Most importantly, writing is a part of photographic authorship and owning not only our images, but also our ideas.
So join us for this workshop! It will be a small gathering of like-minded colleagues coming together to put words to their photographs; coffee percolating, sleeves rolled up, photos on the wall, keyboards at the ready.
More info here.
Photographer friends,
I have joined the stellar Faculty at PhotoPhlo, a new online education platform. My class “Why Photographers Write” is now open for enrollment.
About the class:
In this four-session course we will focus on the intersection of writing and photography as it applies to exploring and defining our core identity as image-makers. Photographers enter and position themselves in the marketplace based on their particular visual sensibility. But many professional opportunities and commissions hinge on crafting a compelling written proposal. Moreover, writing is a key element of owning our ideas, presenting our finalized projects to the public and raising funds for future endeavors.
Through writing exercises and group dynamics, this class will help participants develop clear, articulate and powerful versions of the essential texts they need to advance their photographic practice: artist statement, project description, editorial / advertising pitch, and biographical narrative.
More information and sign-up via PhotoPhlo:
https://www.photophlo.com/why-photographers-write
Sometimes the boys like to set up their own jokes. Olin lay on his back and folded up his arms and legs, pushing out his belly. “Mami, ask me if I’m dead”. “Olin, are you dead?” “No, I’m just an animal enjoying the sun”.
Cold day.
Little hands.
Big pockets.
Found my Valentine a day late. But so it is always: love appears when it will. This one is meant for all the fathers and sons out there.
As a rookie cyclist, I’m finding out that this is a very technical sport in just about every respect. Take the clothing for example: it feels engineered more than designed. And when you first start riding you’re bound to feel self-conscious, if not down right mortified by what you’re wearing. But after a while you realize nothing else will do. And of course the kit changes with the seasons and even small fluctuations in the weather mean you gotta make adjustments to compensate. It’s an endless balancing game.
Bike accessories come in all shapes and sizes and every time I turn around my buddies are debating the merits of one or another of their latest acquisitions - or talking about their wish list with wistful expressions.
Bikes come in all prices. Some of them are more expensive than cars; others are the price of a sushi dinner for two in Manhattan.
Choosing the right bike matters the most because it will truly be an extension of your self and the companion of many adventures. Aligning and fitting it to your body is like tuning a musical instrument. Your bike will require your meticulous care and attention to perform flawlessly.
But of course none of this - not the bike, not the clothing, nor the accessories - is the true engine of your progress; it’s the heart that drives you. It’s the desire to be out in the world and to find out something about yourself in the process. And even pain, when it comes, becomes a motor. If you can accept it - and get to the other side of it - pain will teach you valuable lessons and make you a stronger rider.
Cada salida es una interrogante. La respuesta es siempre la misma, pero nunca se repite. La respuesta eres tú.
Every ride is a question mark. The answer is always the same but it never repeats itself. The answer is you.
Ice cracking under my wheels and a blanket of fresh snow draping over the beautiful river. When the season is over, maybe I’ll miss winter riding a bit after all.
These deep winter days, you can count other riders on the fingers of one hand. An old man is ahead of me and I’m coming up on him fast.
I glance over my shoulder preparing to overtake him but at the last moment instinct tells me to slow down instead; his bike wobbles and then he looses balance, tumbling to the ground and breaking his fall with both hands and right shoulder.
I hustle off my bike and hurry over to help him up. He is shocked and disoriented. I sit him by the curb, get his bike off the road and ask if he’s oK. He nods his head. Does he have a cell phone? He doesn’t. I offer to call an ambulance. He thinks for a moment and I take a better look at him: rail thin, in his early or mid 80’s, a heavy winter jacket weighed down by a chain he’s slung over his shoulder. Even though the air is frigid, his white head is uncovered. No gloves on his calloused hands.
In the end, he thanks me but declines further help. I get back on my bike and leave him sitting on the curb, eyes cast down, head lowered, motionless, like a bird with a broken wing.
Sometime on the morning of Dec 31st we decided we wanted to welcome the New Year by the sea. So we made a couple calls, packed up a few things, filled the gas tank and drove out to YangYang beach on the East Coast of Korea.
This is the sun rising for the first time in 2022.
Another year with HRM - my angel - and two little rascals who make Dennis the Menace come off like a rank amateur of mischief.
There’s always a first for everything, including riding a bike in sub-zero weather (-10C was the low today). It was eerily quiet by the margins of frozen rivers and all the vegetation had turned brown and brittle. At times it seemed like I was the only rider on the road.
But what I’ll never forget was reaching for a sip of water and closing my glove around a solid bidon, no water rushing to my lips, only the dry cracking of ice. Or the warming effect of Latin beats from my headset letting me drift to another, warmer land, where my skin didn’t feel the sting of winter.
Over the years, just by virtue of being a New Yorker, I randomly crossed paths or had small interactions with celebrities. Other times, fewer, I photographed them on assignment for publications.
Freshly arrived in the city, my first such encounter was with Matt Dillon. Mid-afternoon on a weekday, I was sitting at the counter in an Upper West Side bar nursing a drink. I looked up at the mirror, hung above and behind the bartender, and realized Dillon had taken the stool next to mine. Not knowing any better, and thus breaking a cardinal rule of living in NYC, I was brazen enough to say hello. Dillon was friendly and gracious about it all. We talked for some ten minutes about Rusty James and then about Antigua Guatemala and Atitlan.
Another time, I was one of three people waiting in line to see an obscure Roberto Rossellini film at the Lincoln Center Film Society. His daughter Isabella was one of the other two, standing just ahead of me, gorgeous in the chiaroscuro of the low-lit lounge. And so on: Tom Cruise and Katie Holmes, then years later - post TomKat - Katie and another male actor who bore more than a passing resemblance to Cruise. I remember fleeting moments with Martin Sheen, Harvey Keitel, Kirsten Dunst, Paul Newman and Joanne Woodward, F. Murray Abraham, Blythe Danner, Angelina Jolie, Arnold Schwarzenegger, Donald Trump and Marla Maples, Lawrence Fishburne, Christian Slater, John Lurie, Marc Anthony, Jack Nicholson, Woody Allen, Michael J. Fox, Debbie Harry, Mick Jagger, Robin Williams, Kurt Vonnegut, Paul Auster and others. Sometimes there’s a photo to mark the occasion, more often just a passing thought.
But my favorite and funniest encounter happened in a small Park Slope coffee shop, where I was sitting by the window sipping a coffee and watching the world go by. Every so often, somebody walking outside would stop mid-stride, do a double take, and keep on going. After this happened three or four times I was so bewildered I looked over my shoulder at the guy sitting next to me, ready to comment on the strange behavior. I didn’t need to make a comment; John Turturro, was quietly sitting there, also sipping a coffee and watching the world go by.
Growing up in Guatemala, my favorite room of the house was my father’s library. The books I read over the years are as much a part of my self as the blood and bones and living tissue in my body.
This year, HRM chose a collection of eighty illustrated books about nature as Luca and Olin’s Hanukkah gift. Their appetite for reading can only be described as voracious. And even when we are not reading to them, they often open the books and discuss them with one another.
Gracias mami, you are the light of Hanukkah for our family.
Happy Holidays!