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JAIME PERMUTH

  • Quisicuaba
  • BLINDNESS
  • Olmedini El Mago
  • The Street Becomes
  • Yonkeros
  • El Sistema
  • Before the Eclipse
  • Beijing
  • Vota Así
  • The Completely Visible World
  • Tarzan Lopez
  • Manhattan Mincha Map
  • Beautiful Heart
  • Commissioned Projects
    • If I Ruled the World, 2011
    • The Jewish Identity Project :: La conversion de Carmen
    • Personal Archives
    • Highline
  • Artist Statements
    • Quisicuaba
    • BLINDNESS
    • Olmedini El Mago
    • The Street Becomes
    • YONKEROS
    • El Sistema
    • Before the Eclipse
    • VOTA ASI
    • The Completely Visible World
    • Tarzan Lopez
    • Manhattan Mincha Map
    • The Jewish Identity Project :: Carmen's essay
    • If I Ruled the World
    • "In Frame" Arirang TV - Episode One
    • "In Frame" Arirang TV - Episode Two
  • Media and Press
  • About
  • Contact
  • Blog
 
 
 
 

© Jaime Permuth, 2025

 

JAIME PERMUTH
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Looking back

Added on May 24, 2020 by Jaime Permuth.

Hard to believe it’s been seven years already since my solo exhibition for YONKEROS at Ryugaheon Gallery in Seoul, curated by Joanne Junga Yang.

The thing about that show which moved me the most was the contrast between the pristine, zen-like gallery and the rough and tumble world of Willets Point depicted in my photographs. Also, the gallery is located a stone’s throw away from the old Imperial Palace and it gave me a sense of leaving a footprint and being a part of the life of a city I absolutely cherish.

Here’s a two page spread from Harper’s Bazaar Korea. Words by Dongsun An and portrait by my wife Hye-Ryoung Min.

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